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Die Romeo de Luxe hat eine Länge von mm und ein zeitgemäßes Ringmaß von Der Produktionsname dieses Formats lautet „Capuleto“. Dieser Name ist​. Inhaber Matthias Walter. Schozacher Straße 40 Stuttgart Lageplan Tel.: (​) 82 05 07 Fax: () 87 40 73 eMail: [email protected]​. KG Industriepark Warstein - Belecke Walter - Rathenau - Ring 18 Warstein Telefon: +49 Fax: +49 email: [email protected] Ihre.

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Incorrect video URL. Der Sportmediziner und Orthopäde Hier kannst Du Deinen Platz reservieren! The Cambridge Companion to Shakespeare on Stage. Romeo and Juliet has been adapted numerous times for stage, film, musical, and opera venues. The Independent. Fury of Johnny Kid Ma che musica maestro William Shakespeare Schalke 04 Erfolge Romeo and Juliet. House of Montague Montague is the patriarch of the house of Montague. But whatever it was, when I Spielstand Darmstadt 98 playing Romeo I was carrying a torch, I was trying to sell realism in Test Online Depot.

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Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery.

Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Zak faces the past head on, finding out burried secrets which test his sobriety.

A heartfelt gay film full of love and heartbreak. Director: Jaydon Taylor. Writer: Jaydon Taylor. Added to Watchlist. High School Icons, Then and Now.

Gay Movies Found. Top comedies. Watched It: Movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Credited cast: Jaydon Taylor Zak Lawson Jeanine Ann Mason Lacey Karen Yamileth Jessica Joshua Serna Trent Sharon Tomme Laura Ren Price Chase Matt Berget Editor Catherine Fridey Leveen suggested that during the 18th century, David Garrick chose to use a balcony in his adaptation and revival of Romeo and Juliet and modern adaptations have continued this tradition.

Romeo and Juliet ranks with Hamlet as one of Shakespeare's most performed plays. Its many adaptations have made it one of his most enduring and famous stories.

Scholar Gary Taylor measures it as the sixth most popular of Shakespeare's plays, in the period after the death of Christopher Marlowe and Thomas Kyd but before the ascendancy of Ben Jonson during which Shakespeare was London's dominant playwright.

The First Quarto, printed in , reads "it hath been often and with great applause plaid publiquely", setting the first performance before that date.

The Lord Chamberlain's Men were certainly the first to perform it. Besides their strong connections with Shakespeare, the Second Quarto actually names one of its actors, Will Kemp , instead of Peter, in a line in Act V.

Richard Burbage was probably the first Romeo, being the company's actor; and Master Robert Goffe a boy , the first Juliet.

All theatres were closed down by the puritan government on 6 September Upon the restoration of the monarchy in , two patent companies the King's Company and the Duke's Company were established, and the existing theatrical repertoire was divided between them.

This was a tragicomedy by James Howard, in which the two lovers survive. Otway's version was a hit, and was acted for the next seventy years.

For example, Garrick's version transferred all language describing Rosaline to Juliet, to heighten the idea of faithfulness and downplay the love-at-first-sight theme.

The earliest known production in North America was an amateur one: on 23 March , a physician named Joachimus Bertrand placed an advertisement in the Gazette newspaper in New York, promoting a production in which he would play the apothecary.

Garrick's altered version of the play was very popular, and ran for nearly a century. Her portrayal of Romeo was considered genius by many.

The Times wrote: "For a long time Romeo has been a convention. Miss Cushman's Romeo is a creative, a living, breathing, animated, ardent human being.

Professional performances of Shakespeare in the midth century had two particular features: firstly, they were generally star vehicles , with supporting roles cut or marginalised to give greater prominence to the central characters.

Secondly, they were "pictorial", placing the action on spectacular and elaborate sets requiring lengthy pauses for scene changes and with the frequent use of tableaux.

Forbes-Robertson avoided the showiness of Irving and instead portrayed a down-to-earth Romeo, expressing the poetic dialogue as realistic prose and avoiding melodramatic flourish.

American actors began to rival their British counterparts. The first professional performance of the play in Japan may have been George Crichton Miln's company's production, which toured to Yokohama in In the 20th century it would become the second most popular, behind Hamlet.

In , the play was revived by actress Katharine Cornell and her director husband Guthrie McClintic and was taken on a seven-month nationwide tour throughout the United States.

The production was a modest success, and so upon the return to New York, Cornell and McClintic revised it, and for the first time the play was presented with almost all the scenes intact, including the Prologue.

The new production opened on Broadway in December Critics wrote that Cornell was "the greatest Juliet of her time", "endlessly haunting", and "the most lovely and enchanting Juliet our present-day theatre has seen".

His efforts were a huge success at the box office, and set the stage for increased historical realism in later productions.

I've always felt that John missed the lower half and that made me go for the other But whatever it was, when I was playing Romeo I was carrying a torch, I was trying to sell realism in Shakespeare.

Peter Brook 's version was the beginning of a different style of Romeo and Juliet performances. Brook was less concerned with realism, and more concerned with translating the play into a form that could communicate with the modern world.

He argued, "A production is only correct at the moment of its correctness, and only good at the moment of its success. Throughout the century, audiences, influenced by the cinema, became less willing to accept actors distinctly older than the teenage characters they were playing.

In an interview with The Times , he stated that the play's "twin themes of love and the total breakdown of understanding between two generations" had contemporary relevance.

Recent performances often set the play in the contemporary world. For example, in , the Royal Shakespeare Company set the play in modern Verona.

Switchblades replaced swords, feasts and balls became drug-laden rock parties, and Romeo committed suicide by hypodermic needle.

Neil Bartlett's production of Romeo and Juliet themed the play very contemporary with a cinematic look which started its life at the Lyric Hammersmith, London then went to West Yorkshire Playhouse for an exclusive run in Romeo sneaks into the Capulet barbecue to meet Juliet, and Juliet discovers Tybalt's death while in class at school.

The play is sometimes given a historical setting, enabling audiences to reflect on the underlying conflicts. For example, adaptations have been set in the midst of the Israeli—Palestinian conflict , [] in the apartheid era in South Africa, [] and in the aftermath of the Pueblo Revolt.

In the 19th and 20th century, Romeo and Juliet has often been the choice of Shakespeare plays to open a classical theatre company, beginning with Edwin Booth 's inaugural production of that play in his theatre in , the newly re-formed company of the Old Vic in with John Gielgud , Martita Hunt , and Margaret Webster , [] as well as the Riverside Shakespeare Company in its founding production in New York City in , which used the film of Franco Zeffirelli 's production as its inspiration.

The best-known ballet version is Prokofiev 's Romeo and Juliet. It has subsequently attained an "immense" reputation, and has been choreographed by John Cranko and Kenneth MacMillan among others.

In , Michael Smuin 's production of one of the play's most dramatic and impassioned dance interpretations was debuted in its entirety by San Francisco Ballet.

This production was the first full-length ballet to be broadcast by the PBS series " Great Performances : Dance in America"; it aired in Dada Masilo, a South African dancer and choreographer, reinterpreted Romeo and Juliet in a new modern light.

She introduced changes to the story, notably that of presenting the two families as multiracial. At least 24 operas have been based on Romeo and Juliet.

It is occasionally revived. The play influenced several jazz works, including Peggy Lee 's " Fever ". This version updated the setting to midth-century New York City and the warring families to ethnic gangs.

Romeo and Juliet had a profound influence on subsequent literature. Before then, romance had not even been viewed as a worthy topic for tragedy.

Romeo and Juliet was parodied in Shakespeare's own lifetime: Henry Porter 's Two Angry Women of Abingdon and Thomas Dekker 's Blurt, Master Constable both contain balcony scenes in which a virginal heroine engages in bawdy wordplay.

For example, the preparations for a performance form a major plot arc in Charles Dickens ' Nicholas Nickleby.

Romeo and Juliet is one of Shakespeare's most-illustrated works. Lois Leveen 's novel Juliet's Nurse imagined the fourteen years leading up to the events in the play from the point of view of the nurse.

The nurse has the third largest number of lines in the original play; only the eponymous characters have more lines.

The board attracted widespread media criticism and derision after the question appeared to confuse the Capulets and the Montagues, [] [] [] with exams regulator Ofqual describing the error as unacceptable.

Romeo and Juliet may be the most-filmed play of all time. The latter two were both, in their time, the highest-grossing Shakespeare film ever.

Neither critics nor the public responded enthusiastically. Cinema-goers considered the film too "arty", staying away as they had from Warner's A Midsummer Night Dream a year before: leading to Hollywood abandoning the Bard for over a decade.

Stephen Orgel describes Franco Zeffirelli 's Romeo and Juliet as being "full of beautiful young people, and the camera and the lush technicolour make the most of their sexual energy and good looks".

The play has been widely adapted for TV and film. In , Peter Ustinov 's cold-war stage parody, Romanoff and Juliet was filmed.

The film was a commercial and critical success. The production starred Orlando Bloom and Condola Rashad.

The production used RSC actors who engaged with the audience as well each other, performing not from a traditional script but a "Grid" developed by the Mudlark production team and writers Tim Wright and Bethan Marlow.

The performers also make use of other media sites such as YouTube for pictures and video. Title page of the Second Quarto of Romeo and Juliet published in All references to Romeo and Juliet , unless otherwise specified, are taken from the Arden Shakespeare second edition Gibbons, based on the Q2 text of , with elements from Q1 of From Wikipedia, the free encyclopedia.

For other uses, see Romeo and Juliet disambiguation. An oil painting by Ford Madox Brown depicting the play's balcony scene.

The opening act of Romeo and Juliet. Main article: Characters in Romeo and Juliet. Count Paris is a kinsman of Escalus who wishes to marry Juliet.

Mercutio is another kinsman of Escalus, a friend of Romeo. House of Capulet Capulet is the patriarch of the house of Capulet.

Lady Capulet is the matriarch of the house of Capulet. Juliet Capulet is the year-old daughter of Capulet, the play's female protagonist.

Tybalt is a cousin of Juliet, the nephew of Lady Capulet. The Nurse is Juliet's personal attendant and confidante. Rosaline is Lord Capulet's niece, Romeo's love in the beginning of the story.

Peter, Sampson, and Gregory are servants of the Capulet household. House of Montague Montague is the patriarch of the house of Montague. Lady Montague is the matriarch of the house of Montague.

Romeo Montague , the son of Montague, is the play's male protagonist. Benvolio is Romeo's cousin and best friend. Abram and Balthasar are servants of the Montague household.

Others Friar Laurence is a Franciscan friar and Romeo's confidant. Friar John is sent to deliver Friar Laurence's letter to Romeo.

An Apothecary who reluctantly sells Romeo poison. A Chorus reads a prologue to each of the first two acts. Main article: Romeo and Juliet on screen.

When performed at Court, inside the stately home of a member of the nobility and in indoor theaters such as the Blackfriars theatre candle lighting was used and plays could be performed even at night.

Menninger's Man Against Himself Retrieved 1 January Archived from the original on 18 June Gibbons, Brian, ed.

Romeo and Juliet. The Arden Shakespeare , second series. London: Thomson Learning. Levenson, Jill L. The Oxford Shakespeare. Oxford: Oxford University Press.

Spencer, T. The New Penguin Shakespeare. London: Penguin. Appelbaum, Robert Shakespeare Quarterly. Folger Shakespeare Library.

Books in Motion: Adaptation, Adaptability, Authorship. Margaret Webster: A Life in the Theatre. University of Michigan Press.

Shakespeare: The Invention of the Human. New York: Riverhead Books. In Alexander, Margaret M. S; Wells, Stanley eds.

Shakespeare and Sexuality. Cambridge: Cambridge University Press. Review of English Studies. II 5 : — Modern Language Association of America.

New York: Berkley Boulevard Books. In Shaughnessy, Robert ed. Journal of the American Musicological Society. Retrieved 26 December In Wells, Stanley ; Stanton, Sarah eds.

The Cambridge Companion to Shakespeare on Stage. The Life and Adventures of Nicholas Nickleby. New York: Dramatists' Play Service. Archived from the original on 30 April Retrieved 13 August Modern Language Association.

Wells, Stanley ed. Shakespeare Survey. Cambridge University Press. In Goldberg, Jonathan ed. Queering the Renaissance. Durham: Duke University Press.

The Financial Express. New Delhi. Archived from the original on 7 May Retrieved 27 December Texts and Traditions: Religion in Shakespeare, — Romeo and Juliet: A Guide to the Play.

Westport: Greenwood Press. A Shakespeare Companion — Baltimore: Penguin. Archived from the original on 26 December The Divine Comedy.

Oxford World Classics. Translated by Sisson, C. Oxford University Press. The Viking Opera Guide. London: Viking. In Wells, Stanley ; Grazia, Margreta de eds.

The Cambridge Companion to Shakespeare. Journal of Historical Pragmatics. New Haven: Yale University Press. To make us laugh at Navy Pier".

The Second City. Archived from the original on 5 May In Jackson, Russell ed. The Cambridge Companion to Shakespeare on Film.

Grove Music Online 8th ed. International Business Times. Archived from the original on 22 November Modern Language Studies. The Northeast Modern Language Association.

Romeo and Juliet: Study Notes. York Notes. The Guardian. Kirkus Reviews. Lanier, Douglas The Hollywood Reporter. Archived from the original on 18 March The Atlantic.

Retrieved 30 January English Studies. Retrieved 27 May London: British Film Institute. The New York Times. Retrieved 10 November Man Against Himself.

New York: Harcourt Brace and Company. Music Educators Journal. The National Association for Music Education. Medieval Academy of America.

Modern Language Notes. Johns Hopkins University Press. Shakespeare's Tragic Sequence. New York: Routledge. In Lupton, Julia Reinhard ed. Romeo and Juliet: A Critical Reader.

Arden Early Modern Drama Guides. Bloomsbury Publishing. Stanford: Stanford University Press. Tragic Form in Shakespeare.

Oxford English Dictionary 3rd ed. September Retrieved 24 December Subscription or UK public library membership required. Orgel, Stephen Journal of Palestine Studies.

University of California Press. Queen's Quarterly. New York: King's Crown Press. The Independent. In Pace-Sanfelice, G. The original story of Romeo and Juliet by Luigi da Porto.

From which Shakespeare evidently drew the subject of his drama. Being the Italian text of , and an English translation, together with a critical preface, historical and bibliographical notes and illustrations.

Translated by Pace-Sanfelice, G. Cambridge: Deighton, Bell, and co. In Wells, Stanley; deGrazia Margreta eds.

Renaissance and reformation texts in translation. Translated by Prunster, Nicole. Toronto: Centre for Reformation and Renaissance Studies.

Quince, Rohan

Restaurant Romeo Gran Canaria Playa del Ingles Maspalomas |. Sportname: Romeo de Royal. Lebensnummer: DE Typ / Geschlecht: Pferd / Hengst. Rasse: Bayer. geboren: Farbe: Braun. Die berühmteste Liebesgeschichte der Welt: Rock the Ballet ist Tanz, Leidenschaft und pure Energie! Alle Infos und Tickets zur Show. Die Romeo de Luxe hat eine Länge von mm und ein zeitgemäßes Ringmaß von Der Produktionsname dieses Formats lautet „Capuleto“. Dieser Name ist​. Inhaber Matthias Walter. Schozacher Straße 40 Stuttgart Lageplan Tel.: (​) 82 05 07 Fax: () 87 40 73 eMail: [email protected]​. Romeo de Luxe EL Sie setzen auf langfristige Geschäftsbeziehungen und nutzen unsere starke Kompetenz in moderner Bürokommunikationstechnik. Pc Online Spiele Dorfstr. Scrollen Romeo De, um mehr zu erfahren. Wir bietet Ihnen eine leistungsgerechte Bezahlung, einen Firmenwagen sowie eine qualifizierte Aus- und Weiterbildung. In den Cookies werden folgende Daten gespeichert und übermittelt. Video ansehen. PDF Download - Klick here! Deckblatt Land. Incorrect video URL. Basel dpa - Der schweizerische Pharmakonzern Roche wird noch im Filetpfanne 3 - erlei Für alle etwas dabei - Ein Niveles De 888poker Mix. In Ausübung dieses Rechts haben Sie ferner das Recht, zu erwirken, dass Ihre personenbezogenen Daten direkt von uns einem anderen Verantwortlichen übermittelt werden, soweit dies technisch machbar ist. OK Datenschutzerklärung. Alfa Romeo Healthcare Business.

Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Zak faces the past head on, finding out burried secrets which test his sobriety.

A heartfelt gay film full of love and heartbreak. Director: Jaydon Taylor. Writer: Jaydon Taylor. Added to Watchlist. High School Icons, Then and Now.

Gay Movies Found. Top comedies. Watched It: Movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Credited cast: Jaydon Taylor Zak Lawson Jeanine Ann Mason Lacey Karen Yamileth Jessica Joshua Serna Trent Sharon Tomme Laura Ren Price Chase Matt Berget Editor Catherine Fridey Dolly Mason Eric Fulcher Publisher Kristina Brianne Ahlberg Nurse Leslie Joy Coleman Sherrie Rest of cast listed alphabetically: Dean Ciallella Edit Storyline Zak Lawson was a pop star who came out of nowhere, and reached the top of the billboard charts at the age of Add the first question.

Country: USA. Language: English. Runtime: 89 min. Romeo and Juliet ranks with Hamlet as one of Shakespeare's most performed plays.

Its many adaptations have made it one of his most enduring and famous stories. Scholar Gary Taylor measures it as the sixth most popular of Shakespeare's plays, in the period after the death of Christopher Marlowe and Thomas Kyd but before the ascendancy of Ben Jonson during which Shakespeare was London's dominant playwright.

The First Quarto, printed in , reads "it hath been often and with great applause plaid publiquely", setting the first performance before that date.

The Lord Chamberlain's Men were certainly the first to perform it. Besides their strong connections with Shakespeare, the Second Quarto actually names one of its actors, Will Kemp , instead of Peter, in a line in Act V.

Richard Burbage was probably the first Romeo, being the company's actor; and Master Robert Goffe a boy , the first Juliet.

All theatres were closed down by the puritan government on 6 September Upon the restoration of the monarchy in , two patent companies the King's Company and the Duke's Company were established, and the existing theatrical repertoire was divided between them.

This was a tragicomedy by James Howard, in which the two lovers survive. Otway's version was a hit, and was acted for the next seventy years.

For example, Garrick's version transferred all language describing Rosaline to Juliet, to heighten the idea of faithfulness and downplay the love-at-first-sight theme.

The earliest known production in North America was an amateur one: on 23 March , a physician named Joachimus Bertrand placed an advertisement in the Gazette newspaper in New York, promoting a production in which he would play the apothecary.

Garrick's altered version of the play was very popular, and ran for nearly a century. Her portrayal of Romeo was considered genius by many.

The Times wrote: "For a long time Romeo has been a convention. Miss Cushman's Romeo is a creative, a living, breathing, animated, ardent human being.

Professional performances of Shakespeare in the midth century had two particular features: firstly, they were generally star vehicles , with supporting roles cut or marginalised to give greater prominence to the central characters.

Secondly, they were "pictorial", placing the action on spectacular and elaborate sets requiring lengthy pauses for scene changes and with the frequent use of tableaux.

Forbes-Robertson avoided the showiness of Irving and instead portrayed a down-to-earth Romeo, expressing the poetic dialogue as realistic prose and avoiding melodramatic flourish.

American actors began to rival their British counterparts. The first professional performance of the play in Japan may have been George Crichton Miln's company's production, which toured to Yokohama in In the 20th century it would become the second most popular, behind Hamlet.

In , the play was revived by actress Katharine Cornell and her director husband Guthrie McClintic and was taken on a seven-month nationwide tour throughout the United States.

The production was a modest success, and so upon the return to New York, Cornell and McClintic revised it, and for the first time the play was presented with almost all the scenes intact, including the Prologue.

The new production opened on Broadway in December Critics wrote that Cornell was "the greatest Juliet of her time", "endlessly haunting", and "the most lovely and enchanting Juliet our present-day theatre has seen".

His efforts were a huge success at the box office, and set the stage for increased historical realism in later productions. I've always felt that John missed the lower half and that made me go for the other But whatever it was, when I was playing Romeo I was carrying a torch, I was trying to sell realism in Shakespeare.

Peter Brook 's version was the beginning of a different style of Romeo and Juliet performances. Brook was less concerned with realism, and more concerned with translating the play into a form that could communicate with the modern world.

He argued, "A production is only correct at the moment of its correctness, and only good at the moment of its success. Throughout the century, audiences, influenced by the cinema, became less willing to accept actors distinctly older than the teenage characters they were playing.

In an interview with The Times , he stated that the play's "twin themes of love and the total breakdown of understanding between two generations" had contemporary relevance.

Recent performances often set the play in the contemporary world. For example, in , the Royal Shakespeare Company set the play in modern Verona.

Switchblades replaced swords, feasts and balls became drug-laden rock parties, and Romeo committed suicide by hypodermic needle.

Neil Bartlett's production of Romeo and Juliet themed the play very contemporary with a cinematic look which started its life at the Lyric Hammersmith, London then went to West Yorkshire Playhouse for an exclusive run in Romeo sneaks into the Capulet barbecue to meet Juliet, and Juliet discovers Tybalt's death while in class at school.

The play is sometimes given a historical setting, enabling audiences to reflect on the underlying conflicts. For example, adaptations have been set in the midst of the Israeli—Palestinian conflict , [] in the apartheid era in South Africa, [] and in the aftermath of the Pueblo Revolt.

In the 19th and 20th century, Romeo and Juliet has often been the choice of Shakespeare plays to open a classical theatre company, beginning with Edwin Booth 's inaugural production of that play in his theatre in , the newly re-formed company of the Old Vic in with John Gielgud , Martita Hunt , and Margaret Webster , [] as well as the Riverside Shakespeare Company in its founding production in New York City in , which used the film of Franco Zeffirelli 's production as its inspiration.

The best-known ballet version is Prokofiev 's Romeo and Juliet. It has subsequently attained an "immense" reputation, and has been choreographed by John Cranko and Kenneth MacMillan among others.

In , Michael Smuin 's production of one of the play's most dramatic and impassioned dance interpretations was debuted in its entirety by San Francisco Ballet.

This production was the first full-length ballet to be broadcast by the PBS series " Great Performances : Dance in America"; it aired in Dada Masilo, a South African dancer and choreographer, reinterpreted Romeo and Juliet in a new modern light.

She introduced changes to the story, notably that of presenting the two families as multiracial. At least 24 operas have been based on Romeo and Juliet.

It is occasionally revived. The play influenced several jazz works, including Peggy Lee 's " Fever ". This version updated the setting to midth-century New York City and the warring families to ethnic gangs.

Romeo and Juliet had a profound influence on subsequent literature. Before then, romance had not even been viewed as a worthy topic for tragedy.

Romeo and Juliet was parodied in Shakespeare's own lifetime: Henry Porter 's Two Angry Women of Abingdon and Thomas Dekker 's Blurt, Master Constable both contain balcony scenes in which a virginal heroine engages in bawdy wordplay.

For example, the preparations for a performance form a major plot arc in Charles Dickens ' Nicholas Nickleby. Romeo and Juliet is one of Shakespeare's most-illustrated works.

Lois Leveen 's novel Juliet's Nurse imagined the fourteen years leading up to the events in the play from the point of view of the nurse.

The nurse has the third largest number of lines in the original play; only the eponymous characters have more lines.

The board attracted widespread media criticism and derision after the question appeared to confuse the Capulets and the Montagues, [] [] [] with exams regulator Ofqual describing the error as unacceptable.

Romeo and Juliet may be the most-filmed play of all time. The latter two were both, in their time, the highest-grossing Shakespeare film ever.

Neither critics nor the public responded enthusiastically. Cinema-goers considered the film too "arty", staying away as they had from Warner's A Midsummer Night Dream a year before: leading to Hollywood abandoning the Bard for over a decade.

Stephen Orgel describes Franco Zeffirelli 's Romeo and Juliet as being "full of beautiful young people, and the camera and the lush technicolour make the most of their sexual energy and good looks".

The play has been widely adapted for TV and film. In , Peter Ustinov 's cold-war stage parody, Romanoff and Juliet was filmed.

The film was a commercial and critical success. The production starred Orlando Bloom and Condola Rashad. The production used RSC actors who engaged with the audience as well each other, performing not from a traditional script but a "Grid" developed by the Mudlark production team and writers Tim Wright and Bethan Marlow.

The performers also make use of other media sites such as YouTube for pictures and video. Title page of the Second Quarto of Romeo and Juliet published in All references to Romeo and Juliet , unless otherwise specified, are taken from the Arden Shakespeare second edition Gibbons, based on the Q2 text of , with elements from Q1 of From Wikipedia, the free encyclopedia.

For other uses, see Romeo and Juliet disambiguation. An oil painting by Ford Madox Brown depicting the play's balcony scene. The opening act of Romeo and Juliet.

Main article: Characters in Romeo and Juliet. Count Paris is a kinsman of Escalus who wishes to marry Juliet. Mercutio is another kinsman of Escalus, a friend of Romeo.

House of Capulet Capulet is the patriarch of the house of Capulet. Lady Capulet is the matriarch of the house of Capulet.

Juliet Capulet is the year-old daughter of Capulet, the play's female protagonist. Tybalt is a cousin of Juliet, the nephew of Lady Capulet.

The Nurse is Juliet's personal attendant and confidante. Rosaline is Lord Capulet's niece, Romeo's love in the beginning of the story. Peter, Sampson, and Gregory are servants of the Capulet household.

House of Montague Montague is the patriarch of the house of Montague. Lady Montague is the matriarch of the house of Montague.

Romeo Montague , the son of Montague, is the play's male protagonist. Benvolio is Romeo's cousin and best friend. Abram and Balthasar are servants of the Montague household.

Others Friar Laurence is a Franciscan friar and Romeo's confidant. Friar John is sent to deliver Friar Laurence's letter to Romeo.

An Apothecary who reluctantly sells Romeo poison. A Chorus reads a prologue to each of the first two acts. Main article: Romeo and Juliet on screen.

When performed at Court, inside the stately home of a member of the nobility and in indoor theaters such as the Blackfriars theatre candle lighting was used and plays could be performed even at night.

Menninger's Man Against Himself Retrieved 1 January Archived from the original on 18 June Gibbons, Brian, ed. Romeo and Juliet. The Arden Shakespeare , second series.

London: Thomson Learning. Levenson, Jill L. The Oxford Shakespeare. Oxford: Oxford University Press.

Spencer, T. The New Penguin Shakespeare. London: Penguin. Appelbaum, Robert Shakespeare Quarterly. Folger Shakespeare Library.

Books in Motion: Adaptation, Adaptability, Authorship. Margaret Webster: A Life in the Theatre. University of Michigan Press. Shakespeare: The Invention of the Human.

New York: Riverhead Books. In Alexander, Margaret M. S; Wells, Stanley eds. Shakespeare and Sexuality. Cambridge: Cambridge University Press.

Review of English Studies. II 5 : — Modern Language Association of America. New York: Berkley Boulevard Books. In Shaughnessy, Robert ed.

Journal of the American Musicological Society. Retrieved 26 December In Wells, Stanley ; Stanton, Sarah eds. The Cambridge Companion to Shakespeare on Stage.

The Life and Adventures of Nicholas Nickleby. New York: Dramatists' Play Service. Archived from the original on 30 April Retrieved 13 August Modern Language Association.

Wells, Stanley ed. Shakespeare Survey. Cambridge University Press. In Goldberg, Jonathan ed. Queering the Renaissance.

Durham: Duke University Press. The Financial Express. New Delhi. Archived from the original on 7 May Retrieved 27 December Texts and Traditions: Religion in Shakespeare, — Romeo and Juliet: A Guide to the Play.

Westport: Greenwood Press. A Shakespeare Companion — Baltimore: Penguin. Archived from the original on 26 December The Divine Comedy. Oxford World Classics.

Translated by Sisson, C. Oxford University Press. The Viking Opera Guide. London: Viking. In Wells, Stanley ; Grazia, Margreta de eds.

The Cambridge Companion to Shakespeare. Journal of Historical Pragmatics. New Haven: Yale University Press.

To make us laugh at Navy Pier". The Second City. Archived from the original on 5 May In Jackson, Russell ed. The Cambridge Companion to Shakespeare on Film.

Grove Music Online 8th ed. International Business Times. Archived from the original on 22 November Modern Language Studies.

The Northeast Modern Language Association. Romeo and Juliet: Study Notes. York Notes. The Guardian.

Kirkus Reviews. Lanier, Douglas The Hollywood Reporter. Archived from the original on 18 March The Atlantic. Retrieved 30 January English Studies.

Retrieved 27 May London: British Film Institute. The New York Times. Retrieved 10 November Man Against Himself. New York: Harcourt Brace and Company.

Music Educators Journal. The National Association for Music Education. Medieval Academy of America. Modern Language Notes.

Johns Hopkins University Press. Shakespeare's Tragic Sequence. New York: Routledge. In Lupton, Julia Reinhard ed.

Romeo and Juliet: A Critical Reader. Arden Early Modern Drama Guides. Bloomsbury Publishing. Stanford: Stanford University Press. Tragic Form in Shakespeare.

Oxford English Dictionary 3rd ed. September Retrieved 24 December Subscription or UK public library membership required.

Orgel, Stephen Journal of Palestine Studies. University of California Press. Queen's Quarterly. New York: King's Crown Press.

The Independent. In Pace-Sanfelice, G. The original story of Romeo and Juliet by Luigi da Porto. From which Shakespeare evidently drew the subject of his drama.

Being the Italian text of , and an English translation, together with a critical preface, historical and bibliographical notes and illustrations.

Translated by Pace-Sanfelice, G. Cambridge: Deighton, Bell, and co. In Wells, Stanley; deGrazia Margreta eds. Renaissance and reformation texts in translation.

Translated by Prunster, Nicole. Toronto: Centre for Reformation and Renaissance Studies. Quince, Rohan New York: Peter Lang.

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